Frameworks of sexuality and reproduction
Description For this assignment, you should write a thesis-driven essay analyzing 2-4 primary sources from the list below and include at least 2 secondary sources. Your argument and analysis should be contextualized within South Korea’s postwar period. In your essay, you should address one or more of the following issues:
-Patriarchal constructions of gender, femininity, and masculinity
-Frameworks of sexuality and reproduction
-Gendered notions of labor (skilled, “unskilled,” reproductive labor, productive labor, domestic labor)
-Ideology of nation, nationalism, and the gendering of subjects
-Intersectionality of race, class, gender, and sexuality
-Formations of gendered identity within the context of patriarchy
List of primary sources:
-Marginalized in Production and Mobilized to be Domestic from Militarized Modernity by Seungsook Moon, 2005
-Identical Apartments (1974) by Pak Wansŏ
-Mother’s Hitching Post (1980) by Pak Wansŏ
-Days and Dreams (1980) by Kang Sŏk-kyŏng
-Dear Distant Love (1983) by Sŏ Yŏng-ŭn
-“The Minjung Culture Movement and the Construction of Popular Culture in Korea” by Chungmoo Choi, from South Korea’s Minjung Movement (1995)
-Film: Treeless Mountain (So Yong Kim, 2009)
-Film: Madonna (Shin Su-won, 2015)
-Film: House of Hummingbird (Kim Bo-ra, 2020)
**Here are some questions to consider when expanding your essay, depending on your focus:
– How does this additional piece of fiction expand on or further support your thesis?
– Does your framework show a shift in social concerns in Korean women’s fiction over time? Is this particular to historical shifts, or to the writers’ work?
– Do postwar constructions of labor, gender, and nation persist into the late 20th to 21st Centuries? How so?
– How has the form and content of Korean women’s fiction shifted over time?
– How has Korean women’s film highlighted, expanded, or redirected concerns in literature?